Poppositions 2019 – Capital of Woke
The 8th edition of Poppositions opened on 24 April in Brussels. Poppositions is an alternative art fair parallel to Art Brussels. The format is less strict than a regular fair and more organised as an exhibition. This year’s subtitle was “Capital of Woke”, which in short refers to the awareness of whether or not certain social privileges are granted, and how this awareness can also be used/abused for commercial purposes. The concept was interpreted in a broad and diverse way. 25 art spaces from 12 different countries were present and almost all with a solo presentation. Among them from The Hague 1646 and Billytown.
For those who missed it, below a visual report of a selection that caught my attention including links to more background information about the artists involved:
The interior of the location was sometimes so dominant that it was difficult to separate it from what was shown, as was the case with Joey Ramone. It showed works of Roi Alter which were used as props in his contemporary staging of Kurt Schwitters’ Franz Müllers Drahtfrühling.
Billytown had organised a display of black chairs stacked on top of which four artists (Kim David Bots, Maja Klaassens, Marius Lut and Bernice Nauta) have hung their work. The project, called Studio Schottenheimer, is the result of meetings of small groups that are held on a regular basis within this collective, in which assignments are given to each other, which are then discussed. A good way to keep each other sharp and to pull each other out of each other’s comfort zone.
Also my friends from The Fridge from Sofia (BG), showed work by Voin de Voin, including a series of glass New Sexual Organs that seemed to form a metropolitan skyline in this arrangement. An interview with Voin de Voin on his contribution can be read at ‘Happening‘